The time has (almost) come, friends. The time of scented candles and garland; of wrapped gifts and baked goods; of Christmas movies and the sweet sounds of Bing Crosby. One day until I can wholeheartedly launch myself into Christmas cheer and proclaim the joy of the holiday season. American Thanksgiving may be today (even Canadians can watch the parade), but God damn it, Christmas begins tomorrow, and I couldn't possibly be more excited. (For the background behind this reasoning, read this.) However, in an attempt to conserve my childhood-like excitement for another 24 hours, I should probably move on.
The last couple days have been eventful, bringing kitten adventures, smidges of productivity and a Pirate Radio outing with the lovely Lauren M. It may not be an Oscar contender, but charming British comedies set in 1960s England have a special place in my heart - especially with a soundtrack boasting the likes of Cream, The Kinks, Cat Stevens and the Stones. If there was any hope of extinguishing my intrigue/appreciation/love/obsession with the British Invasion, Pirate Radio has officially ended it. (And frankly - Philip Seymour-Hoffman-oriented rock 'n roll movies are placed on their own pedestal in a league of their own.) Now, if we could teach the men of North America to adopt British fashion, we'd be in business.That's the thing about loving all most things1960s - since the popularity of Mad Men, the era's become entirely more accessible. The furniture's hot again, the fashion's "in", social smoking's the norm, and old is no longer tacky. (This coming from the girl who shuns even Christmas decorating trends in lieu of sixties kitsch.) As a child of baby boomers, I'm one of the last generations to have had values of "the good old days" instilled in me - whether it be "sit up straight" and "respect your elders" or "they don't make music like they used to".
I remember being little and listening to the oldies stations - growing up on the Beach Boys, the Platters, the Beatles and the Supremes - then going to school and being bombarded with "bands" like Boyz II Men or Ace of Base. This music was strange and foreign to me, and none of it exuded the feel-good vibes of the golden oldies - you can nod your head and belt out the chorus, but you sure as hell can't rollerskate to Joan Osborne (and believe me, I tried). When we had "sock hop day" (or a similar themed occasion) in grade three, I was in all my glory - not only could I pretend I lived forty years earlier, but I was praised for my Beach Boy cassettes.My Dad and I would wake up every Saturday morning, have breakfast at McDonalds (and I'm not even getting paid to say this!), grab Juicy Fruit gum and drive around listening to oldies stations while Papa Dons reminisced about roller skating, holidays of old and the joys of decades past. By the time I found vintage "red wheel" roller skates at Value Village at age nine, I didn't stand a chance - my heart belonged to the past, and I was determined to combine it with the present.
Sure, there were the in-between decades in which I attempted to immerse myself in current youth culture - whether it be the skate clothes (cringe), the Jacob wardrobe (I actually dressed like a 45-year-old business woman at age 17) or the Generic Bird-type ensembles, but anything old - whether it be photos, magazines, artefacts or stories - reeled me in like an oversize vintage magnet. (Which my Grandparents actually owned. See what I mean? My fate was sealed.)Movies and TV were just as bad. Since I spent a good portion of my childhood at my Grandparents' house, I grew up on classics like Green Acres, The Beverly Hillbillies, M*A*S*H* and Bewitched. Afternoons spent watching Full House and Family Matters were speckled with my Mum's running commentary and distaste as she slammed the lacklustre dialogue and cheap laughs. (Sure, the entire Beverly Hillbillies premise may have been based on cheap laughs, but at least it was interesting. Could the same be said for Steve Urkel two seasons (or even two episodes) in? I think not.)
After a brief love affair with Gone With the Wind (sure, it was circa 1939 - but it was vintage nonetheless), I was the only 13-year-old to write her year-end essay on the wonder of Vivien Leigh - as well as the only 11-year-old to write a speech on Star Wars after a yearlong obsession with the franchise. Everything old was much more interesting. And as proven now, everything old is new again.
I'm lucky to have come into my own and embraced my love of kitsch around the same time the "golden years" have resurfaced (thank you, Don Draper) since everything I love seems much more accessible. However, I'm less scotch and Audrey Hepburn than I am greasy diners and Pattie Boyd (minus the Beatles, the connections, the Brit factor and modeling career. Right, so I'm not similar to Pattie Boyd in the least - but a girl can channel her love of all things UK while drawing non-existent parallels when she sees fit.) The moral of the story? My submersion in 1960s culture is not due to its increasing popularity, but because of genetics - or nurture. Regardless, I was pre-disposed; it was out of my hands. (I owned roller skates for Christ's sake.) I attempted to mimic Julie Andrews' hair circa Sound of Music during my unfortunate brush with the mushroom cut. I cried at One Tin Soldier because it was "beautiful" and fell asleep to the Beach Boys and Petula Clark. Old Bugs Bunny episodes made sense, and the ladies in old photographs knew how to dress. I understood the references to sixties culture in the Simpsons, my uncle taught me how to use a jukebox.
Now the UK obsession . . . well, that's a different story.











So yesterday's lack of blog can only be attributed to one thing: mourning the season three finale of Mad Men. Not because it upset me - it was actually the best episode of anything, ever - but because I'm not sure how I can make it to Summer 2010 without seeing any new episodes. Sterling Cooper Draper Price. I wish I lived in 1963 so I could work for them, too. Or at least attempt to date Don/Pete/Cosgrove or Kinsey. (And to think I thought Pete and Trudy were Haight-Ashbury bound.) Anyway, enough of that - time to repress my longing for more mid-sixties drama by focusing on the present. (Unless you care to discuss the finale in-depth - in that case, please send me a message immediately.)

